Lieselotte is Professor at the Department of Social Sciences of the University Carlos III de Madrid. She is a Belgian anthropologist with a PhD in Law (Ghent University, Belgium, 2011) which has a first academic degree in Criminology. Her professional path is marked by a combination of conducting innovative academic and applied research and working as a practitioner on complex and politically sensitive human rights issues such as transitional justice, legal pluralism, natural resources and territory, engaging directly with bridging theory-practice gaps from an interdisciplinary perspective.
Since her Master’s thesis in anthropology (2002), she has been collaborating with indigenous peoples in Peru, Guatemala, Ecuador and Colombia in diverse spaces. As human rights practitioner, she worked, among others, at the Office of United Nations High Commissioner of Human Rights (OHCHR) in Ecuador (2010-2013) were she was responsible for the areas of collective rights and transitional justice. Previously, she was Marie Curie Individual Fellow (2016-2018) at the Centre of Social Studies, University of Coimbra (Portugal). Lieselotte has published in English and Spanish in leading indexed international journals such as the International Journal of Transitional Justice, Critique of Anthropology, International Human Rights Journal, Netherlands Quartely of Human Rights, Antipoda- Revista deAntropologìa y Arquelogìa. Her latest book is Nilma Rahilal. Pueblos Indìgenas y justicia transicional: relfexiones antropologicas (2019, Universidad de Deusto,Spain).
Publications: Researchgate and Academia.edu
More than 14 years working as a RESEARCH GROUP MANAGER at UC3M, taking care of the management of research projects, technology transfer, as well as the protection of intellectual property on the R&D results obtained, helping in the elaboration of the UC3M technological offer catalog, advising/supporting researchers in economic, fiscal and labor contracting issues, and collaborating in the technical follow-up reports. And more than 14 years working as an associate professor for several of the UC3M guarantee my knowledge of the functioning of the University.
Digno is an Ecuadorian lawyer and pre-doctoral researcher (FPI-MINECO) at the University Carlos III of Madrid. His areas of interest include rights of nature, ecocentrism, legal pluralism, intercultural interpretation and international courts of human rights. In RIVERS, as an associate researcher, his work is focused on the influence of the anthropocentrism and ecocentrism in the reasoning of the international courts of human rights. Specifically, in the framework of his doctoral thesis, he studies the argumentation about the relationship between the Rights of Nature and the Human Rights, present in the jurisprudence of the Inter-American Court of Human Rights (this doctoral research work is framed within the project, “Judges in Democracy, the Political Philosophy of the Inter-American Court of Human Rights” leading by the professor Isabel Wences).
He holds a Master’s degree in Constitutional Law from the Center for Political and Constitutional Studies of Spain and a Law degree from the University “Espíritu Santo” of Ecuador. He is a member of the UC3M research group on “law and justice” (grupo de investigación sobre el derecho y la justicia), part of the editorial board of the academic review “Eunomia. Revista en cultura de la legalidad” and co-coordinator of the UC3M workshop on law and justice. Professionally, he has worked in different positions in the public sector of Ecuador, among them, legal analyst of the judicial function of Ecuador and specialist in social rights of the Ombudsman’s Office of Ecuador. Among his main recognitions are: Post graduate scholar of the Carolina Foundation of Spain in 2015; Scholar of the service of doctrine of the Constitutional Court of Spain in 2017 and winner of the predoctoral contract for the formation of the investigative personnel granted by the Ministry of Economy and Company of Spain in 2018.
Full CV available from: https://cvn.fecyt.es/editor/cvnOnline/0000-0002-6050-1777
His research examines questions of disaster and aftermath, water and energy, infrastructural politics, climate change and climate science, environmental justice, disaster risk reduction, environmental data, and the politics of risk and uncertainty in Nepal and the greater Himalayan bioregion. His approach is informed by training in anthropology, critical disaster studies, science & technology studies, political ecology, environmental science, and studio art.
Lieselotte Viaene and Maria Jacinta Xón Riquiac (Coordination)
Diego Antonio Padilla Vassaux (Universidad Rafael Landívar, Guatemala)
Santiago Bastos (CIESAS, México)
María Ximena González-Serrano (Universidad Carlos III de Madrid, Spain)
Ana Paula García-Nieto
Manuel May
Diego Antonio Padilla Vassaux
María Ximena González-Serrano
Carolina Angel Botero
Maria Jacinta Xón Riquiac
James Rodríguez
Marina A.R. de Mattos Vieira
Camille Parguel
Stella Terjung
Elisa Mandiola López
Selcen Kucukustel
Marta Rica
Kelly Quilcue
Paulo Illich Bacca
Diego is a Guatemalan sociologist with a Master’s degree in social science from the École de Hautes Études en Sciences Sociales (EHESS), Paris. He has worked for more than 10 years on qualitative research and multimedia projects in academia, international cooperation projects and as an investigative journalist.
His main research focus is the politics of water conflicts in Guatemala, and has worked on critical assessments on: the public management of water, the water law, the human right to water, extractivism, and case studies about water distribution and inequality in urban spaces.
As a part of the RIVERS team, Diego is mainly in charge of coordinating the production of the RIVERS Research Documentary, as a way to promote science communication of the RIVERS’ key findings.
Graduated in Humanities from the Pompeu Fabra University, Mariona is a Catalan filmmaker who has worked for the last 20 years in different audiovisual media (television, Internet and cinema) creating non-fiction content from the areas of directing, the script and the editing.
In recent years she has combined her work as a narrative advisor and director at the University of Melbourne with the direction of content for different organizations (Oxfam Australia, Pasqual Maragall Foundation, Swinburne University, among many others) and the development and direction of documentary films for cinema. Her feature-length documentary Singled [Out], exploring the stigma of single women, has toured festivals around the world, and is now preparing his next feature, L’hora de les tortugues, about family, memory and identity. In the project RIVERS Mariona is responsible for advising the team, working on the narrative direction of the documentary project and generating the conceptual and formal framework for the different filming teams.
Indigenous Gunadule woman from the community of Caimán Nuevo in Urabá Antioquia. Since 2015, Olowaili has been serving as an audiovisual artist and cultural facilitator at SentARTE, art with purpose, an enterprise with which she has been working through co-creation to promote the visibility, social integration, and safeguarding of her culture and other diverse cultures, achieving significant recognition and success at both national and international levels.
Simultaneously, she works on projects within her production company, SentARTE, art with purpose, and is also part of the production and communications team for Daupará, a showcase of indigenous cinema and video in Colombia.
Currently, she is pursuing a Master’s degree in Education with a focus on Pedagogy and Cultural Diversity, specifically in the field of Mother Earth.
Principal CEO of Choclo Audiovisual. She has been involved since its inception in 2009 in the direction, production, and coordination of the audiovisual programming of Daupará – Indigenous Film and Video Exhibition in Colombia. Currently, she is part of the coordination team for the development of its streaming platform. She has also worked as a general producer for the TV series “El buen vivir” at the Natibo Foundation.
Technical Link CIT / Sound Production
She is a communicator, audiovisual producer, and filmmaker. She specializes in audiovisual heritage management and holds a master’s degree in Cultural Management. Her work has focused on communicative and cultural consultancy within the Movimiento Indígena Colombiano, currently within the Instancia de Decisión de los Pueblos y Comunidades Indígenas – IDPCI del Sistema General de Regalías y la Confederación Indígena Tayrona – CIT.
She is a founding partner of the transmedia content production company with a focus on Latin American musical practices, Diario Sonoro Latinoamericano. In addition, she works as a lecturer at the Jorge Tadeo Lozano University in Bogotá and is involved in the audiovisual production of the Raíces Bogotá Andina Festival.
Prasiit Sthapit (b. 1988) is a visual storyteller based in Kathmandu. His works explore the politics of being a Nepali by scratching its past and the resultant present. He is currently associated Fuzz Factory Productions, a multimedia collective based in Kathmandu, photo.circle, a platform for photography in Nepal and Photo Kathmandu. He is also the director of Fuzzscape, a multi-media music documentary project.
In 2016, he was the recipient of the Magnum Emergency Fund Grant and was selected for the World Press Photo Joop Swart Masterclass. He also received the Musée du quai Branly-Jacques Chirac Photography Residencies 2019. Recently, he received the Magnum Counter Histories 2022 Grant and the 2024 Asia Arts Future (South Asia) Award, Asia Society Asia Arts Game Changer Awards India.
His work was exhibited as part of Habiter Ce Monde at Théodore-Monod African Art Museum in Dakar (January – March 2024) and in festivals such as Photo Kathmandu, Copenhagen Photo Festival, Noorderlicht Photofestival, Singapore International Photo Festival etc. His dummy photo book was on view in Sunaparanta, Goa Centre for the Arts, India as part of Growing Like a Tree: Sent a Letter. His works have been published in FOAM, British Journal of Photography, Aperture, Himal Southasian, Kamana Prakashan among others.
Barkha Mukhia is a visual storyteller based in Kathmandu. Her pursuits center on employing multimedia techniques to depict human experiences from a distinct vantage point shaped by her experiences. In 2019, she earned the esteemed Film South Asia Fellowship, followed by the British Council’s “Gender Grant” in 2020. Barkha has assumed roles as a writer, director, DOP, digital artist, and editor across numerous documentaries, ad films, and music videos for the past decade. Her inaugural short film was screened at Pinewood Studios in the UK, Raleigh Studios in Hollywood (part of the First-Time Filmmaker Sessions), and the Museum of Creative Minds (Shanghai Shorts – Shanghai, China). Notably, her feature documentary had its premiere at FSA22′. Presently, she remains engaged with her multimedia collective situated in Kathmandu.
Manjit Lama is a dedicated individual with a passion for storytelling and visual communication. Hailing from Nepal, he embarked on his journey in the world of media and filmmaking with a keen interest in documenting stories that resonate with diverse audiences.
With a background in business studies and a Higher Secondary Graduate degree under his belt, Manjit brings a unique blend of creativity and strategic thinking to his work. Over the course of eight years, he has honed his skills as a documentary filmmaker, videographer, and editor, consistently delivering high-quality content that captivates and inspires.
Throughout his career, Manjit has tackled a wide range of subjects, from cultural explorations to social issues, always striving to shed light on the human experience. His work showcases a keen eye for detail, a deep understanding of narrative structure, and a commitment to authenticity.
When he’s not immersed in the world of filmmaking, Manjit enjoys exploring the rich cultural heritage of Nepal, seeking inspiration from the vibrant landscapes and diverse communities that surround him.
Ran Subba Gurung hails from Nepal’s indigenous Gurung community and holds a degree in journalism & mass communication. She dedicates her career to the development sector, focusing on women, children, & marginalized communities affected by disasters (earthquakes, landslides, & floods). She mostly works in close coordination with local government authorities.
Fluent in Gurung, Nepali, & English, she is a key translator for the RIVERS team. She ensures clear communication between local communities & project teams. She also serves as a research assistant gathering essential data within the community. Her understanding of the community’s unique local customs, traditions, and social dynamics ensures that the information shared align with local values, practices and are also culturally appropriate and respectful.
With extensive experience in gathering first-hand information from the ground, she helps identify the specific needs enabling tailored and effective plans and interventions.